Sunday, June 27, 2021

In Salem and back

As I indicated in my previous post, we arrived at  J.E. Seibert's house in Salem on Wednesday evening at about 8:00p.m. Naturally, we talked for quite a while, getting caught up on what was happening in our lives, but eventually we felt our fatigue and we all went to bed. It was pleasantly cool that night and I think we all slept reasonably well. Thursday morning, Ellen got up before I did and was picked up by Bonnie Hull and they went off to a good coffee shop to have coffee and talk. I had a relaxed morning and at about 10:30a.m., J.E. and I got in her car and we went off to the Minto Island Growers Food Cart, where we met everyone for lunch. "Everyone" was Bonnie and Ellen, who came together, and Roger Hull, who came with his daughter-in-law, Ashton (wife of his son, Zach) and her two children, Sidney and Vivian (c. 7  and 4), eight of us all together. Zach had to work. The MIG Cart, as it is called, is a wonderful place to eat: it is located at their farm, so you are surrounded by fields of vegetables and flowers, everything is super fresh, very nicely prepared and presented, the picnic tables are under canopies that provide shade, there is a nice breeze - what could be better?  We intentionally arrived early so we beat the lunch rush.  I sat with Bonnie and Roger, so I was able to find out what is happening in their lives.  We are all facing issues relating to health, aging, housing, etc., so there was much to share.  Roger has just completed his most recent major monograph on a Northwest artist, Alden Mason: Fly Your Own Thing (to be published by University of Washington Press). Roger guest curated a retrospective exhibit  of Mason's  work which is currently showing at the Bellevue Art Gallery in Bellevue, WA. 

Alden Mason: Fly Your Own Thing is the first comprehensive museum exhibition for Northwest artist Alden Mason since his passing in 2013. Mason was a prolific painter whose exuberance and inventiveness in form, color, and style helped pave the way from the aesthetics of the Northwest School to midcentury modernist art in the Pacific Northwest.

Born in Everett, WA in 1919, Mason earned his MFA from the University of Washington in 1947, launching what would become an extraordinarily long career as both an artist and teacher. He reinvented his style several times over the course of his career, exploring and combining new techniques through his Burpee Garden series, Squeeze Bottle paintings, Big Heads, and later acrylic works. Mason traveled extensively throughout his career, yet always returned to the Northwest and the Skagit Valley, drawing inspiration from every aspect of his life and the landscape around him.

While Mason’s visionary artworks helped shape the future of Northwest art, his work in the classroom inspired the next generation of artists in the region. Notable students include Roger Shimomura, Gene Gentry McMahon, and Chuck Close, who called Mason, “The greatest painter to come out of the Pacific Northwest—for me, even greater than Mark Tobey or Morris Graves.”

Alden Mason: Fly Your Own Thing is presented to coincide with the first comprehensive monograph on the artist, to be published by the University of Washington.


Alden Mason Rainbow Rucker, 1973


Roger has written a dozen or so of these monographs in the past, mostly in connection with exhibits at the Hallie Ford Museum at Willamette University in Salem, where Roger taught art 
history for several decades. Ellen and I have been privileged to see several of these exhibitions in the past. But Roger is now carrying on a courageous battle with cancer which  involves chemo every three weeks, and he is thinking that maybe the Mason monograph might be his last.  One never knows such things for sure, I guess, so we'll see!  There is a wonderful video of both Roger and Bonnie on YouTube: if you go on to YouTube and search for "Roger and Bonnie Hull" you will get a "Virtual Tour through the Clifford Gleason and Bonnie Hull exhibitions" at the Hallie Ford Museum and you'll get to hear both of them being interviewed, see Bonnie's art, and get a good sense of Roger as an art historian and curator. 

MIG lunch area

MIG Cart

Bonnie and Roger Hull

J.E. doling out the delicious food; Ashton in background

MIG flowerbeds


After our lunch at the MIG Cart, J.E., Ellen and  I went to the Friends of the Salem Public Library store where Ellen found a big box of old postcards for sale at $0.10 apiece. So J.E. and I left her there and made a quick trip to the Hallie Ford Museum!  There was a Dale Chihuly blown glass exhibit going on, but I was more interested in the other, more permanent exhibits. I always love going there. Then J.E. and I went back to get Ellen, and we went back to J.E.'s house. We rested a bit, had a light supper, talked until dark and went to bed. Friday morning, Bonnie and Roger came for coffee and muffins that J.E. made, and we talked until 11:30a.m. or so, when Ellen and I took off for Boise. I forgot my pill case and had to go back for that. 

I am so fortunate to have Bonnie, Roger, and J.E. as friends, through Ellen, who first met them three decades ago (or so) when she lived in Salem, and I feel particularly fortunate to have been able to make this trip and reconnect with them after the pandemic put a halt to such travel. 

We stopped at Rosie's in Mill City for scones and coffee (a favorite stop), took note of the devastation caused by wildfires last September along the Santiam Highway around Detroit, OR, had to deal with something under the car that suddenly was dragging on the road (fixed that with good old duct tape) and made it back to Boise pretty late - around 11p.m. - but it was still dusk!  We talked with Susan and Christian Saturday morning, left around noon, had a nice drive back to Alpine and got here around 8p.m. last evening. As with our Salem friends,  it was lovely re-connecting with Susan and Christian, and we got to see all the amazing work Christian has done on their house as he meticulously re-furbishes it, employing his wood-working skills to a high degree. That is on hold this summer as they both enjoy going to music festivals and visiting family and friends. We managed to catch them at home, and also managed to miss the big heat wave this weekend when both Salem and Boise will suffer temps above 100 degrees. 

We'll be here till Tuesday and then start the journey home. 


Here are a  few selected items from the Hallie Ford Museum collection:

The entrance hall of the Hallie Ford Museum. Drawings by Dale Chihuly 
can be seen on the wall at the left


David Hockney (b. 1937), Looking East, 2019

David Hockney, The Entrance, 2019
Hockney is a British artist of renown, living in Normandy, France, during the pandemic, 

Charles Heaney (1897-1981) Eastern Oregon
Heaney is one of the artists Roger Hull wrote a monograph on for an exhibition Ellen and I got to see. This painting is very evocative of scenery we drove through on our trip from Boise to Salem. 

Balinese Astrological Calendar in the Kamasan style (ca. 1875-1900)

Detail from the calendar above (figures are portrayed as Balinese shadow puppets)

Jean-Baptiste Corot (1796-1875),  A Balmy Afternoon

George Rodriguez (b. 1982), Dreamer (2017)

This little sampling provides a good sense of the diversity of works the Hallie Ford offers.

And from our drive back from Salem:

Rosie's Coffee House in Mill City, OR, which fortunately escaped damage from wildfires last summer
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                      Fire damage aftermath along Santiam Highway near Detroit, OR











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